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Wide Prime

Sony FE 24mm f/1.4 GM

A fast wide-angle prime that excels in low light and delivers stunning environmental portraits. The f/1.4 aperture creates beautiful separation even at 24mm, and the G Master optics are razor sharp.

Sony FE 24mm f/1.4 GM — Product shot
Sony FE 24mm f/1.4 GM — Product detail
Shot with this gear
Shot with this gear

First Impressions

The moment I pulled this lens out of the box, I was genuinely surprised by how small and light it is. At just 445 grams, it feels almost like a pancake lens compared to what I expected from a fast f/1.4 wide-angle prime. The build quality is unmistakably G Master — metal construction, smooth aperture ring with a de-click switch, and a customizable focus hold button. I mounted it on my body and the whole rig felt nimble enough to toss in a daypack without a second thought, which is exactly what I need for pre-dawn hikes to catch the Milky Way.

In the Field

This lens has earned a permanent spot in my astro kit. Wide open at f/1.4, it renders star points in the corners that are sharper than any other lens I have used at this aperture — the coma control is borderline absurd, with only the faintest wings visible on the very brightest stars near the extreme edges. Stopped down to f/2.8, the corners are essentially perfect. For landscape work, I find it tack-sharp by f/4 across the entire frame, and the Nano AR coating does a commendable job controlling flare when shooting into golden hour light. The one thing to watch is vignetting wide open — it is noticeable and while easily corrected in post, landscape shooters who want clean corners at narrow apertures may notice it lingers slightly more than expected.

Verdict

If you shoot nightscapes or astro-landscape and want to travel light, this is the lens. It replaced a heavier Sigma 24mm f/1.4 Art in my bag and I never looked back. The corner-to-corner sharpness at f/1.4 is in a class of its own for astrophotography, and its compact size means it tags along on every hike whether I plan to shoot stars or not. At its price point it is not cheap, but for the genres I shoot, it has paid for itself many times over in keeper shots I would not have gotten with a slower or softer lens.